[ Nate knows it's a joke but it still feels too soon. What has it been, now, a week or so since he got back? Time drags in the hours since, having absorbed a lifetime in the blink of an eye.
Without intending for it the conversation sobers and the lull that follows is really, really noticeable. It isn't for awkwardness so much as it is for not knowing where to start, because where to start? The beginning of their time in the Aerie, or the beginning of their time here? Is it wise to dig and press knowing the way Ian has shut himself off in the past, or should he leave well enough alone?
Or is it better still, to just be honest about his relief? ]
...look, um. This is weird. I know it's weird. And we can talk about it, or not talk about, whichever makes you more comfortable, but either way, I'd really like it if we could go back to speaking to each other. Because it's kind of sucked to not do that.
( It's practically more a breath than a word, half relief and half apology. He nods at the ground, and it's almost more shoulders than anything. )
No, yeah, that's-- I just didn't wanna...
( Well, he already thinks he sounds stupid, but he started the sentence. Might as well... )
Come on...
( End it nice and cringe-like, hating himself a little all the while. )
...too strong.
( It sounds so fucking dumb in hindsight, like he's back in high school again and it's senior year, and Dusty got a girlfriend and shit's suddenly awkward. A sigh, and he scratches absently at his scalp more for the need to be doing something with his hands than anything else. )
But, I mean, I guess if you wanna go back to being grown adults in our thirties that's probably a good idea.
[ He knew how to read Ian for ten years and change, and that experience is failing him now. Picking apart the expression on his face Nate genuinely can't tell whether he's somehow put off by that, or apathetic, or just tired. There's the obvious relief - huge, to know it's mutual - but the rest feels stilted and defeatist, somehow. Or maybe he's just content to take the out that Nate gave him, so really talking about it is off the table.
In another life he would have been happy for the chance to avoid a conversation like that. Now he isn't so sure. ]
...I don't really know what I wanna go back to, Ian. I just hate not talking to you.
[ It's a different sort of offer, the one he makes when he rests his hand between them, palm up and open. With no expectations the worst that can happen is that he just looks like a presumptuous moron. ]
And I should also probably tell you that I spent two years in Hadriel without physically aging, so I'm technically forty-one.
( That's definitely putting at least one foot into the conversation -- what they want to go back to. That it's up in the air, instead of decisive on one side or the other. It sets some muscles a little too tight around his ribs, but he's not focusing on it too hard.
Kind of distracted by the open hand, and the want to take it, and the immediate reminder of the empathy bond that very much did not exist in the Aerie. That's the only thing that has him hesitating, but it isn't for very long.
It's worth the connection, that ache outweighs the flickering discomfort over the notion of being wide open.
Honestly, maybe it's easier than talking about it. He doesn't have to struggle through the exact right way to phrase how he feels without fucking up the words, or the context, or leaving too much open for interpretation.
So, yeah. Okay. Sure, he can do this.
Dry skin over dry skin, carefully threading fingers, blue glow kicking into action. )
Forty-one? I don't even know who you are anymore.
( Dry humor, a muted and half-hearted approximation of scandalized but without enough energy devoted to it to make it anything other than deadpan.
Hope you're ready for this absolute cacophony of conflicting emotion, Nate. He's quadruple-thinking himself into a stress hole over trying to prioritize hope over fear over happiness about the connection over relief over insecurity and a whole rainbow of other bullshit all mashed into one vibrating analytical something. )
[ It is difficult to effectively compartmentalize the lived experiences of what, for Nate, is now four different worlds: home, here, Hadriel, the Aerie. He knows what Elena would say, has said, that the time and the actions taken have influence and sway, which makes them valid in their own right. Conflict is inevitable. It's like art, intended to elicit a response, and that's what makes it what it is. What the observer makes of it.
Interpretation is always subjective and everybody's got an opinion, so it doesn't mean they're wrong - it doesn't mean they're right, either. Like so many clashes in perspective among the people unceremoniously brought here, there's a significant lack of actual communication at the center of it all.
Nate has never been spectacularly good at that either. But he's trying to be, even on borrowed time.
He's held Ian's hand God only knows how many occasions over the course of a decade, but they never had this place's empathy bond clawing open the gestures with vivid scrutiny. Any relief Nate may have been entertaining with the physical contact is swiftly overwhelmed by the emotional cyclone that hits him like a truck.
It would be easy to get swept up in its fervor and for a long moment he struggles not to do so, trying to pick it apart and look at it piece by piece, as if that will somehow make it easier to digest. It's like listening to half a dozen orchestras tuning their instruments all at once and instead of wading too far into it he tries to do the opposite of what he's done for the last seven months: Nate gives him something in return.
It's an equally muddled deluge of fear and affection, a weighty undercurrent of guilt, a pervasive string of loneliness. Unsurety and anxiety at its core and a dense, unmistakable and immeasurable love for someone he left behind that runs parallel to the same feeling left over from the Aerie. Complicated, with a solution he can't yet see.
Somehow, inexplicably, getting back this absolute tangle of feelings actually helps quiet his down slowly but surely. It gives him something to focus on, first of all, and for a guy who uses work to soothe himself that's an invaluable thing. He gets to start out identifying like pairs, matching up parts of himself that resemble parts of Nate, the places where they align.
As match after match pairs off and straightens out from the rest of the tangle, what it leaves behind seems smaller and less overwhelming. It's easier to focus on the ways that they're on the same page -- fear and affection, loneliness, anxiety and a sizable strand of love, singular for himself, strange and slightly unorthodox though it may be.
Feelings aren't articulated thought, he can't know the context for a lot of it. He can't suddenly read Nate's mind and know his history, or the precise source of his conflict.
But he gets enough to slow himself down a little, take himself off of 2.5 times speed, and it has a new kind of relief layering itself onto the rest. It's accompanied by a slow and quiet exhale, and a clearer, more direct look at Nate than he's given for most of this conversation.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
no subject
[ Nate knows it's a joke but it still feels too soon. What has it been, now, a week or so since he got back? Time drags in the hours since, having absorbed a lifetime in the blink of an eye.
Without intending for it the conversation sobers and the lull that follows is really, really noticeable. It isn't for awkwardness so much as it is for not knowing where to start, because where to start? The beginning of their time in the Aerie, or the beginning of their time here? Is it wise to dig and press knowing the way Ian has shut himself off in the past, or should he leave well enough alone?
Or is it better still, to just be honest about his relief? ]
...look, um. This is weird. I know it's weird. And we can talk about it, or not talk about, whichever makes you more comfortable, but either way, I'd really like it if we could go back to speaking to each other. Because it's kind of sucked to not do that.
no subject
( It's practically more a breath than a word, half relief and half apology. He nods at the ground, and it's almost more shoulders than anything. )
No, yeah, that's-- I just didn't wanna...
( Well, he already thinks he sounds stupid, but he started the sentence. Might as well... )
Come on...
( End it nice and cringe-like, hating himself a little all the while. )
...too strong.
( It sounds so fucking dumb in hindsight, like he's back in high school again and it's senior year, and Dusty got a girlfriend and shit's suddenly awkward. A sigh, and he scratches absently at his scalp more for the need to be doing something with his hands than anything else. )
But, I mean, I guess if you wanna go back to being grown adults in our thirties that's probably a good idea.
no subject
In another life he would have been happy for the chance to avoid a conversation like that. Now he isn't so sure. ]
...I don't really know what I wanna go back to, Ian. I just hate not talking to you.
[ It's a different sort of offer, the one he makes when he rests his hand between them, palm up and open. With no expectations the worst that can happen is that he just looks like a presumptuous moron. ]
And I should also probably tell you that I spent two years in Hadriel without physically aging, so I'm technically forty-one.
no subject
Kind of distracted by the open hand, and the want to take it, and the immediate reminder of the empathy bond that very much did not exist in the Aerie. That's the only thing that has him hesitating, but it isn't for very long.
It's worth the connection, that ache outweighs the flickering discomfort over the notion of being wide open.
Honestly, maybe it's easier than talking about it. He doesn't have to struggle through the exact right way to phrase how he feels without fucking up the words, or the context, or leaving too much open for interpretation.
So, yeah. Okay. Sure, he can do this.
Dry skin over dry skin, carefully threading fingers, blue glow kicking into action. )
Forty-one? I don't even know who you are anymore.
( Dry humor, a muted and half-hearted approximation of scandalized but without enough energy devoted to it to make it anything other than deadpan.
Hope you're ready for this absolute cacophony of conflicting emotion, Nate. He's quadruple-thinking himself into a stress hole over trying to prioritize hope over fear over happiness about the connection over relief over insecurity and a whole rainbow of other bullshit all mashed into one vibrating analytical something. )
no subject
Interpretation is always subjective and everybody's got an opinion, so it doesn't mean they're wrong - it doesn't mean they're right, either. Like so many clashes in perspective among the people unceremoniously brought here, there's a significant lack of actual communication at the center of it all.
Nate has never been spectacularly good at that either. But he's trying to be, even on borrowed time.
He's held Ian's hand God only knows how many occasions over the course of a decade, but they never had this place's empathy bond clawing open the gestures with vivid scrutiny. Any relief Nate may have been entertaining with the physical contact is swiftly overwhelmed by the emotional cyclone that hits him like a truck.
It would be easy to get swept up in its fervor and for a long moment he struggles not to do so, trying to pick it apart and look at it piece by piece, as if that will somehow make it easier to digest. It's like listening to half a dozen orchestras tuning their instruments all at once and instead of wading too far into it he tries to do the opposite of what he's done for the last seven months: Nate gives him something in return.
It's an equally muddled deluge of fear and affection, a weighty undercurrent of guilt, a pervasive string of loneliness. Unsurety and anxiety at its core and a dense, unmistakable and immeasurable love for someone he left behind that runs parallel to the same feeling left over from the Aerie. Complicated, with a solution he can't yet see.
The Gordian Knot of sentiment. ]
no subject
Somehow, inexplicably, getting back this absolute tangle of feelings actually helps quiet his down slowly but surely. It gives him something to focus on, first of all, and for a guy who uses work to soothe himself that's an invaluable thing. He gets to start out identifying like pairs, matching up parts of himself that resemble parts of Nate, the places where they align.
As match after match pairs off and straightens out from the rest of the tangle, what it leaves behind seems smaller and less overwhelming. It's easier to focus on the ways that they're on the same page -- fear and affection, loneliness, anxiety and a sizable strand of love, singular for himself, strange and slightly unorthodox though it may be.
Feelings aren't articulated thought, he can't know the context for a lot of it. He can't suddenly read Nate's mind and know his history, or the precise source of his conflict.
But he gets enough to slow himself down a little, take himself off of 2.5 times speed, and it has a new kind of relief layering itself onto the rest. It's accompanied by a slow and quiet exhale, and a clearer, more direct look at Nate than he's given for most of this conversation.
Hey, man. Nice to meet you again. )
Dude, you should see a therapist.
( It's funny because-- ah whatever, you get it. )